Archive

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text] The collection of Pichiglas Cocktail Bar lamps was born to value the work of the Bartenders as they enjoy their great boom worldwide. Inspired by the futuristic retro lines of the film Metropolis by Fritz Lang, they are

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text] Designed under the same precepts as the Pyramids of Giza, the pyramidal structures of these luminaries can concentrate highly efficient electromagnetic energy, giving the illumination a space of almost mystical magnetism. The geometric, bold and impactful shapes evoke

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text]Like the surrealists, this collection of lamps shows an enormous interest in organic forms as an inexhaustible source of poetic images. One of the symbols that Dalí usually used is the egg. And it is precisely the egg,

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text] Inspired by the retro-futurist lines of the film Metropolis, Pichiglas Studio has designed a set of lamps that sublimate the geometric, seeking the perfect balance between curves, straight lines and light. The author seeks to create unique environments,

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text]The set of these luminaries outlines the shapes of those skirts that in past times covered the body of the ladies, endowing the form of amplitude. Cheerful and ornamental, these romantic structures are mixed with each other and

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text] Inspired by the Modernist canons, these luminaries suggest flowers, gardens or the surface of a lake with water lilies. The different crystal molds combine to produce soft undulations and reflections creating a floral, very harmonious atmosphere that favors

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text]AQUÍ VA EL TEXTO DE INTRODUCCIÓN A LA EXPOSICIÓN[/vc_column_text][vc_column_text] Measures SANA 130cm width x 100cm height FATMA 150cm width x 90cm height NOOR 140cm width x 80cm height[/vc_column_text][/vc_column][/vc_row]

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text]Nomadic in nature, these luminaries do not belong anywhere, but all places belong to them. In this collection, Alfonso de la Fuente has searched, in warehouses around the world, discontinued, forgotten pieces, giving them new life and creating

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text]Like the creature of Frankenstein, these luminaries are made up of pieces of different styles where they are intermingled in an almost artisanal way, different materials, textures and cultures, so that the light that they project clear and

[vc_row enable_hue_rotation="no" use_row_as_full_screen_section="no"][vc_column][vc_column_text] After numerous trips through Asia visiting countries such as Indonesia, Thailand, China or Bali, with these luminaries, Alfonso de la Fuente wanted to honor the artisans who work there with bamboo and raffia, using braided and forgotten pieces